NAVIGATION

Fat Lady Series

For being such a light-feeling guitar, the Fat Lady definitely sings like its name implies. This acoustic is truly remarkable for the ground it covers – everything from soft finger picking to good-time strumming comes through clearly and with a well-balanced tonal range.

The model to go for when power and projection are what you require or for the singer/songwriter who needs the instrument to accompany their voice but never challenge it.

The Fat Lady is, if anything, a study in stylish sustainability. While Cole Clark acoustics are still built out of solid woods, they make use of an entire crop of native, fast growing and abundant Australian woods such as Bunya pine and Queensland maple.

The Fat Lady’s electronics have been custom built by Cole Clark to compliment the guitar’s tonality. The system is comprised of six individual piezo sensors under the bridge and a Face Brace transducer with three sensors mounted under the soundboard.

A unique Blend slider on the guitar’s preamp allows you to adjust the crossover point of where the guitar’s high-end frequencies are captured from – moving the slider away from you causes more of the bridge piezos’ high-end to be amplified; pulling the slider towards you causes the system to amplify more high-end from the sensors.

The Fat Lady range looks great, they play great and sound even better – what more could you ask for?

 

For being such a light-feeling guitar, the Fat Lady definitely sings like its name implies. This acoustic is truly remarkable for the ground it covers – everything from soft finger picking to good-time strumming comes through clearly and with a well-balanced tonal range.

The model to go for when power and projection are what you require or for the singer/songwriter who needs the instrument to accompany their voice but never challenge it.

The Fat Lady is, if anything, a study in stylish sustainability. While Cole Clark acoustics are still built out of solid woods, they make use of an entire crop of native, fast growing and abundant Australian woods such as Bunya pine and Queensland maple.

The Fat Lady’s electronics have been custom built by Cole Clark to compliment the guitar’s tonality. The system is comprised of six individual piezo sensors under the bridge and a Face Brace transducer with three sensors mounted under the soundboard.

A unique Blend slider on the guitar’s preamp allows you to adjust the crossover point of where the guitar’s high-end frequencies are captured from – moving the slider away from you causes more of the bridge piezos’ high-end to be amplified; pulling the slider towards you causes the system to amplify more high-end from the sensors.

The Fat Lady range looks great, they play great and sound even better – what more could you ask for?

 

Showing 1–9 of 39 results

  • Cole Clark Fat Lady 3 – Left Handed Cutaway Bunya/Rosewood

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  • Cole Clark Fat Lady 1 – Left Handed Cutaway Bunya/Maple

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  • Cole Clark Fat Lady 3 – 12 String Bunya/Rosewood

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  • Cole Clark Fat Lady 2 –12 String Bunya/Rosewood

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  • Cole Clark Fat Lady 1 – 12 String Bunya/Maple

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  • Cole Clark Fat Lady 3 – Cutaway Blackwood

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  • Cole Clark Fat Lady 3 – Cutaway Redwood/Rosewood

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  • Cole Clark Fat Lady 3 – Huon Pine/Blackwood

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  • Cole Clark Fat Lady 3 – Cutaway Spruce/Rosewood

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ABOUT SUNBURST MUSIC

Sunburst Music is a ‘must-visit’ destination for guitar players, bass players, and collectors visiting Sydney’s beachside Eastern Suburbs. With strong industry involvement since the 1980s, our guitars have been seen in the hands of players such as Keith Richards, Mark Knopfler, Steve Cropper, Angus Young, Rory Gallagher, Lenny Kravitz, Gary Clark Jr, Joe Bonamassa and many more.

 

NORMAL TRADING HOURS

Monday 10:00 am - 6:00 pm
Tuesday 10:00 am - 6:00 pm
Wednesday 10:00 am - 6:00 pm
Thursday 10:00 am - 7:00 pm
Friday 10:00 am - 6:00 pm
Saturday 10:00 am - 5:00 pm
Sunday 11:00 am - 4:00 pm

 

ABN 61 811 407 198

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